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Prints & sharingCamera, format or productObsoleteImpact: significant

The carte de visite

1854 (Disdéri's patent); craze from 1859

Small portrait prints mounted on visiting-card-sized board, made several at a time on one plate. They were cheap enough to collect, trade and send.

An uncut sheet of eight small portraits of the same man in different poses, as printed for cartes de visite.
André-Adolphe-Eugène Disdéri, Prince Lobkowitz, about 1858. The Metropolitan Museum of Art · Public domain · source ↗

How it began

In 1854 André-Adolphe-Eugène Disdéri patented a camera with several lenses that took eight small portraits on one glass plate. One print could then be cut into eight cards.

How it works

The wet collodion negative was printed on albumen paper, cut up and pasted onto stiff cards the size of a visiting card. Sharing the cost of one plate between eight pictures made each one cheap.

Why it mattered

It turned portraits into something people bought by the dozen, swapped and kept in albums. Pictures of famous people were sold in huge numbers, an early celebrity image trade.

Limits and what replaced it

The larger cabinet card took over in the 1870s, and amateur snapshots after 1888 made studio cards less special.

Today

Collected by historians and dealers; the idea lives on in social media profile pictures.

Sources