Formats
Formats & sensor sizes
Every frame drawn to scale and centred on the 36 × 24 mm "full frame". Pick a format and the drawing zooms to fit it, from 8 × 10 inch sheet film down to a phone sensor. The formats primer explains crop factor and equivalence.
Equivalence calculator
| Format | Size (mm) | Crop factor | Area vs full frame | Note |
|---|---|---|---|---|
| Sheet film | ||||
| 8 × 10 inch sheet film | 254 × 203 | 0.13× | 60× | Contact-printed at the size of the negative: the view-camera format of Edward Weston and Ansel Adams. |
| 4 × 5 inch sheet film | 127 × 102 | 0.27× | 15× | The standard of press and field cameras, from the Speed Graphic to modern view cameras. |
| Medium format | ||||
| 6 × 9 (120 film) | 84 × 56 | 0.43× | 5.4× | Folding and press cameras; eight frames on a roll of 120. |
| 6 × 7 (120 film) | 70 × 56 | 0.48× | 4.5× | Pentax 67 and Mamiya RB67. Nicknamed the ideal format: it enlarges to 8 × 10 inch paper with almost no cropping. |
| 6 × 6 (120 film) | 56 × 56 | 0.55× | 3.6× | The square of the Rolleiflex and the Hasselblad; twelve frames on a roll. |
| 6 × 4.5 (120 film) | 56 × 41.5 | 0.62× | 2.7× | Fifteen frames on a roll; Mamiya 645 and Pentax 645. |
| Digital medium format, 53.4 × 40 | 53.4 × 40 | 0.65× | 2.5× | The largest common sensor, in Phase One IQ4 backs; close to the 645 film frame. |
| Digital medium format, 44 × 33 | 43.8 × 32.9 | 0.79× | 1.7× | Fujifilm GFX and Hasselblad X: about 1.7 times the area of full frame. |
| Full frame | ||||
| 35mm full frame | 36 × 24 | 1.00× | 100% | Barnack's double cine frame; the reference for crop factors. |
| Smaller sensors | ||||
| APS-H (Canon EOS-1D) | 28.7 × 19 | 1.26× | 63% | Canon's fast professional bodies of 2001–2012; crop factor about 1.3. |
| APS-C (Nikon, Sony, Fujifilm) | 23.5 × 15.6 | 1.53× | 42% | Crop factor about 1.5. |
| APS-C (Canon) | 22.3 × 14.9 | 1.61× | 38% | Crop factor about 1.6. |
| Four Thirds / Micro Four Thirds | 17.3 × 13 | 2.00× | 26% | A 4:3 sensor with a crop factor of 2: Olympus, OM System and Panasonic. |
| 1-inch type | 13.2 × 8.8 | 2.73× | 13% | Not an inch across: inch-type names come from the tube diameters of 1950s video cameras. Sony RX100 and many drones. |
| Large phone sensor (1/1.3-inch type) | 9.8 × 7.4 | 3.52× | 8% | The main camera of many recent flagship phones. |
| Small phone sensor (1/3-inch type) | 4.8 × 3.6 | 7.21× | 2% | Older phone cameras, and the ultra-wide or telephoto modules of today's phones. |
| Small film formats | ||||
| 126 (Instamatic) | 28 × 28 | 1.09× | 91% | Kodak's 1963 drop-in cartridge: no threading, a square frame. |
| 35mm cine frame (silent) | 24 × 18 | 1.44× | 50% | The frame Barnack doubled for the Leica. |
| Half frame (35mm) | 24 × 18 | 1.44× | 50% | Two pictures in one 35mm frame, 72 on a roll; the 1959 Olympus Pen made it popular. |
| APS film, C print format | 25.1 × 16.7 | 1.44× | 49% | The 1996 film format that gave APS-C its name. |
| 110 (Pocket Instamatic) | 17 × 13 | 2.02× | 26% | Kodak's 1972 pocket cartridge, almost exactly the size of Four Thirds. |
| Disc film | 10 × 8 | 3.38× | 9% | Kodak's 1982 disc held fifteen tiny frames; prints were grainy. |