The Petzval portrait lens
1840 (designed); 1841 (sold by Voigtländer)
Joseph Petzval used mathematics to design a lens that let in about twenty times more light than the lenses of 1839, making portrait exposures short enough for people to sit for.
How it began
Daguerre’s cameras used a slow landscape lens, so a portrait meant sitting still in bright sun for minutes. In 1840 Joseph Petzval, a mathematics professor in Vienna, took up the problem. With a team of army gunners as human calculators, he computed a lens of four elements in two groups instead of finding one by trial and error. The Voigtländer company made and sold it from 1841.
How it works
The amount of light a lens passes depends on its f-number, the focal length divided by the width of the opening. Petzval’s design worked at about f/3.6, roughly sixteen to twenty times brighter than the f/15 or so of the 1839 lens. It is sharp in the centre and softer at the edges, which suits a portrait. See why a lens gathers more light than a pinhole.
Why it mattered
Together with faster chemistry it cut daguerreotype portraits to tens of seconds or less, which made the portrait studio a business. It was also one of the first lenses designed by calculation, a method that became the rule.
Limits and what replaced it
It has a narrow field and a curved field of focus, so it is poor for landscapes or architecture. Anastigmats of the 1890s, such as the Cooke triplet and Zeiss Tessar, corrected these faults.
Today
Modern remakes of the Petzval design are sold for the swirling background blur it gives.
Sources
- Wikipedia: Petzval lens ↗
- Eder, ch. XXXIV (p. 289)